Japanese Art During The Asuka Period
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This 5 page paper provides an overview of Japanese art as was created during the Asuka period. The scope of the era is defined and its link with the introduction of Buddhism is highlighted. The Horyuji Temple is noted as being important to the history of Japanese art and the clothing as created during the time period is also included. Bibliography lists 7 sources.
Filename: Asuka.wps

The Progresss of Visual Communication
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a 4 page paper in which the writer examines a painting of each, Ambrogio Lorenzetti, Leonardo da Vinci, and Raphael Santi, and shows through their depiction of the human body, the progression of visual communications. Bibliography lists 4 sources.
Filename: BBvisualCom.rtf

Defining the Female Canon
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A 5 page research paper that addresses the field of art criticism and how, traditionally, the art world has either ignored or belittled the work of female artists. Beginning with the feminist theory of Simone de Beauvoir and continuing to the work of Linda Nochlin, and finally to the tongue-in-cheek analysis of art history by the 'Guerrilla Girls,' the writer argues that there is a considerable canon of female artistry that deserves to be examined and appreciated. Bibliography lists 4 sources.
Filename: 90grrart.rtf

Ko Hung's The Moon Rises
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This 5 page paper takes a look at Asian art and most specifically The Moon Rises which was created at the end of the Ming era. The work is evaluated in the context of the time period. Composition and content are discussed as well as the political climate of the day. Bibliography lists 2 sources.
Filename: SA240Ko.rtf

"Madonna Enthroned" Times Two: Cimabue and Duccio.
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(11 pp) One way that art history has been studied is to trace the development of the realistic portrayal of the human form through visual art. We move from the ideal of the Greek physical body, to the early Gothic Christian influence of linear and simple depictions, forward to the beginnings of the Renaissance where once more the human shape starts to develop a realistic identity. Bibliography lists 6 sources and 3 visuals.
Filename: BBcimduc.doc

"Sword And Sheath," "Scholar's Studio" And "Red, White And Blue" - The Color Red
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8 pages in length. The color red in any context indicates strength, power and even defiance; in some cases, it also means a statement about war, conflict and other strife. Compared to all other colors of the rainbow, the color red is symbolic of political, social and religious ideals where a strong statement needs to be made. Within the art world, the color red represents the same indicators, often utilized in such a way as to blend with softer colors in order to temper the strength so prominent in red. Three countries with artists who proudly use red as a reflection of their nations' history are Africa, Korea and the United States, with red being a prominent color in Sword and Sheath, Scholar's Studio and Red, White and Blue. The theme associated with red in each of these works of art illustrates how each artist utilizes the color to represent strong emotional attachment to his or her country. Bibliography lists 9 sources.
Filename: TLCColorRed.rtf

"Veiled Lady"/Pietro Rossi
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A 3 page essay that describes and analyzes the "Veiled Lady," a marble bust by Pietro Rossi (1882). The writer gives a brief background on the work and then describes it in detail before discussing its features. Bibliography lists 2 sources.
Filename: khvelady.rtf

"Vertumnus And Pomona" By Boucher
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3 pages in length. Francois Boucher's artwork is particularly intriguing due in great part to the social and political changes that were occurring during this time period, a metamorphosis Boucher creatively adapted into his paintings. Restrictive devices that heretofore kept a tight leash on what and how artists could craft their talents all but disappeared during this European rebirth, with the likes of Boucher taking every opportunity to display a much more elaborate, whimsical and even daring perspective. The royal court appreciated his unique style as well, having purchased and exhibited several of his pieces. Vertumnus and Pomona oil on canvas from 1757 is a good example of how the French artist establishes a more playful attitude during this era. Bibliography lists 1 source.
Filename: TLCVertumnus.rtf

'Art Past, Art Present' by Wilkins and Schultz: A Specific View of...
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This 4 page report discusses both the text itself and the work of two different 'modern' artists - Jasper Johns and Diego Rivera -- from the book 'Art Past, Art Present.' By examining the work of artists within a specific timeframe, the authors also present a larger view of human history and culture. Bibliography lists only the text itself as a source.
Filename: Artpast.rtf

'Hagar' by Edmonia Lewis (1875)
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A 5 page reaction paper to this extraordinary marble representation of the biblical character emphasizes a variety of emotional responses. Several points are made including the artist's possible perception, the masculinity of the piece along with its angelic qualities.The figure's relationship with the biblical tale is also noted.
Filename: Hagar.doc

17thC Landscapes: El Greco & van Ruisdael
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(5 pp.) Throughout Europe, artists were once more relating to the bounty that they considered home. This included their physical home as well as their spiritual home, both were reflected in their landscape paintings. We shall see this in Toledo by El Greco and Wheatfield by van Ruisdael. Bibliography lists 3 sources and 2 visuals
Filename: BBelGvnR

19th Century Images and African Americans
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A 3 page paper which examines how the 19th century images of African Americans reflects their experiences. Bibliography lists 1 source.
Filename: RA19afam.rtf

2 Davids/Donatello & Michelangelo
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A 5 page research paper that contrasts and compares two great works of art -- the "Davids" sculpted by Donatello and Michelangelo. The writer relates these two works to the political situation of Florence and discusses the significance of these works to art history. Bibliography lists 4 sources.
Filename: kh2daves.rtf

2 Dutch Masters, Leyden and Steen
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A 6 page research paper that examines two Dutch paintings, "Twelfth-Night Feast" by Jan Steen (1662), and "Moses and the Israelites After the Miracle of Water from the Rock" by Lucas van Leyden (1527), and discusses the prominent features of both paintings, in terms of what sources indicate about the artist's life and possible intentions in creating each work. Bibliography lists 5 sources.
Filename: khjsalvl.rtf

20th Century Art at the Museum of Fine Arts, Houston
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This 3 page paper discusses 3 separate works housed at the Museum of Fine Arts in Houston. Bibliography lists 3 sources.
Filename: HVMFAHou.rtf

2D And 3D Art: Dimension Comparison
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5 pages in length. When one considers the fact that painters are two-dimensional artisans and sculptors represent three-dimensional art, one can readily surmise that while the two artistic modalities appear to have little in common with each other, the sculptor gains a significant amount of his craft from the presence of two-dimensional application. Even within the narrow boundaries of print art, the painter is able to transform his two-dimensional art into a three-dimensional creation with nothing more than a stroke of a brush. How is this possible? The writer discusses that for the painter this transformation requires only light; for the sculptor, the requirements are much more sophisticated. No bibliography.
Filename: TLC_2D.wps

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