"The Man of Mode" by Sir George Etherege
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A 5 page paper which describes differences between specific characters in "The Man of Mode" by Sir George Etherege. The characters discussed are Lady Loveit, Bellinda, and Lady Harriet, and Dorimant, Sir Fopling and Medley. No additional sources cited.
Filename: RAetherg.wps

'Blue-Beard' at Covent Garden
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A ten page history of the era during the nineteenth century when theater and spectacle merged, as epitomized by the use of horses in a production of 'Blue-Beard' at London's Covent Garden. The role of well-known actor and producer John Philip Kemble is discussed. Bibliography lists 7 sources.
Filename: KBcovent.wps

'Hamlet' and 'Dr. Faustus'
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This 3 page paper compares and contrasts the ways in which Shakespeare and Marlowe comment on a moral theme in their plays. Bibliography lists 2 sources.
Filename: HVHamFau.rtf

'night Mother, Tragic but not Tragedy
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A 4 page essay that argues that Marsha Norman's play 'night, Mother fails to fit the definition of Greek tragedy. This examination of the play reveals that it is not Greek tragedy, merely tragic, because Jessie's final act accomplishes no purpose. It is merely her final abdication of personal responsibility. Bibliography lists 2 sources.
Filename: khnornm.rtf

'Top Girls' By Caryl Churchill
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5 pages in length. Caryl Churchill's Top Girls set a precedent unlike any other feminist theatre production had heretofore accomplished; as such, this unparalleled approach created a combination of difficulties as well as unusual opportunities for the playwright while preparing the original production. With the critical acclaim inherent to this type of theatrical breakthrough, it is not surprising to find that Churchill's original production was paramount to the growing awareness of escalating gender issues in the early 1980s. Bibliography lists 8 sources.
Filename: TLCTpGrl.rtf

17th Century Spanish Theater
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A 3 page paper which examines 17th century Spanish theater. Bibliography lists 1 source.
Filename: RAspntht.rtf

A Comparison Between A Doll's House and A Streetcar Named Desire
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This 6 page paper compares and contrasts the Ibsen work with the Tennessee Williams play which were each written in different time periods. Characterization is discussed, particularly as it pertains to the ways in which Nora is like Blanche and Stella. Bibliography lists 2 sources.
Filename: SA150ply.rtf

A Doll’s House and A Raisin in the Sun
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A 3 page paper which compares Henrik Ibsen’s A Doll’s House and Lorraine Hansberry’s A Raisin in the Sun. No additional sources cited.
Filename: RAibrai.rtf

A Theatre Dinner Party
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This 3 page paper considers which members of staff from a theatre should be invited to a dinner party to ensure a lively and explosive conversation.
Filename: TEdinpty.rtf

About Eugene Lee
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This 5 page paper discusses the life and design process of scenic designer Eugene Lee, who works both on the stage and with the TV show “Saturday Night Live.” Bibliography lists 3 sources.
Filename: HVreglee.rtf

Act II: Ibsen’s A Doll’s House
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A 3 page paper which examines literary elements in Act II of Henrik Ibsen’s A Doll’s House. No additional sources cited.
Filename: RAnalel.rtf

Acting and Setting: Death of a Salesman
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A 5 page paper which discusses the use of acting and setting in Death of a Salesman and addresses how these items helped, or harmed, the production. The production addressed is that which took place in Eugene O'Neill Theater in New York City. Bibliography lists 2 sources.
Filename: RAdeathply.wps

Adultery Leads to Murder in Greek Tragedies
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(6 pp). The question posed for our discussion is how adultery leads to murder in Greek tragedies. Yet it seems that an important component has been left out of the equation: it is attitude on the part of the male, which leads to his murder, as much as does his breaking of his marriage vows through adultery. Consequently we will examine three Greek tragedies, Medea, Women of Trachis and Agamemnon; to decipher the attitudes of the males involved, and see if it influences their wives rage. Bibliography lists 4 sources.
Filename: BBgrktrg.doc

Aeschylus' Oresteia & Sartre The Flies
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A 7 page essay that examines the stagecraft employed in these two works. While the art of playwriting has evolved and changed over the course of Western civilization, playwrights whether ancient or modern had to accomplish similar tasks in the storytelling and dramatization. The audience, in both cases, has to be informed about the background to the story, that is, the context in which the play takes place. The audience should also understand the nuances of characterization and the motivation that propels the characters to specific actions. Looking at the stagecraft of the ancient Greek playwright Aeschylus, in his trilogy Oresteia, and the modern adaptation of this myth in Jean-Paul Sartre's The Flies, it can be seen how each author uses different theatrical devices to accomplish their storytelling goals. No additional sources cited.
Filename: khaessar.rtf

Ageism Defied In 'I'm Not Rappaport'
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A 5 page look at this 1985 play by Herb Gardner. The paper discusses Gardner's theme and characterization, stage and setting directions, and critical response to the play. Bibliography lists 7 sources.
Filename: Rappap.wps

Alan Ayckbourn/The Norman Conquests
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An 11 page essay that examines Alan Ayckbourn’s “The Norman Conquests” is a trilogy of plays: “Table Manners,” “Living Together,” and “Round and Round the Garden.” All three plays involve the same characters and the events of one weekend in July. However, each play tells the story of the weekend from a different location in the house and, therefore, from a different perspective. Examination of these three plays reveals the intricate way in which they are constructed and why this structure substantiates the position that the trilogy should be regarded as a single work. No additional sources cited.
Filename: khaanor.rtf

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